Behind its 2015 album, A Head Full of Dreams, bringing anthems like “Hymn For the Weekend” and the title track to life around the globe. Just as these new songs compete for fans’ attention alongside old hits like “Clocks” and “Viva La Vida,” we decided to put Coldplay’s catalog to the test and count down its best songs. A Head Full of Dreams is a strong album, but for now, we think its songs need a little more time to sink in. Our list picks from Coldplay’s previous six LPs. Since their 2000 debut, Parachutes, the band was in a constant evolution of self-discovery via music. From the early tender ballads to the swirling piano anthems, to the experimental pop and even dance dreamscapes, here are the 10 best songs from Chris Martin and company.
“We Never Change” Coldplay have evolved so much over the past 16 years and seven albums, it’s almost hard to recognize them as the four blokes behind Parachutes. Back then, they wore baggy cord pants and Clarks Chukka boots, not neon shirts covered in graffiti.
Ghost Stories is the sixth studio album by British rock band Coldplay.Co-produced by the band with Paul Epworth along with returning Mylo Xyloto producers Daniel Green and Rik Simpson, it was released by Parlophone on 16 May 2014. The album was released by Atlantic Records in North America on 19 May 2014. It is the first album by the band in North America under Atlantic, after Coldplay were.
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But it’s the album that started it all, winning the Grammy for Best Alternative Music Album and the BRIT for Best British Album. “Yellow,” of course, was the singalong megahit, but the LP is packed with gems. “We Never Change” is one of them. “I wanna live life and always be true / I wanna live life and be good to you,” Martin confesses. “I wanna live life and have friends around.” These are simple sentiments that appeal to perhaps everyone, and the ascending guitar twinkles deliver the ripples in your chest. “Hurts Like Heaven” For 2011’s Mylo Xyloto, Coldplay went in on the visual and storyline elements of the album. It’s an Orwellian drama about an authoritarian government out to destroy sound and color -- and the love story of two dissenters out to change the world.
The visual aspects, from the cover to the tour production, are inspired by graffiti, featuring eye-popping displays of neons. Musically, it explores pop, R&B and electronica, and even features a guest appearance from.
But the highlight is this jittery track, which, says Martin, was written almost entirely by guitarist Jonny Buckland. After the 43-second title track intro, with shimmering xylophone and bleeps and bloops, 'Hurts Like Heaven' explodes like a Fourth of July night sky. Where Buckland usually provided textures and subtle layers, here, he’s a guitar god, riffing fluidly over Martin’s chanting and a propulsive beat. Thanks for this one, Jonny. “Speed of Sound” Like “Clocks” before it, this tune is prime mid-career Coldplay.
It’s built around another catchy, looping piano riff and its driving drums, waves of guitar and rising synths build to a peak that makes the listener feel like they’re floating at, well, the speed of sound. It was the lead single from their third album, 2005’s X&Y, and was their most successful song to date, debuting at No. 8 on the, notching the band’s first Top 10 hit in the U.S. “In My Place” It’s a hallmark Coldplay song that’s both grand and sweeping and deceptively simple and universally understood. There’s the three-note atmospheric guitar riff, the arena-filling straight drum beat, and Martin’s introspective lyrics about your lot in life, expectations and realities aimed at everyone’s jugular: “In my place, in my place / Were lines that I couldn't change / I was lost, I was lost / Crossed lines I shouldn't have crossed.” Then, of course, comes the memorable chorus: “Yeahhhhhhhhhhhhhh, how long must you wait for it?” The Rush of Blood to the Head single went on to win Best Rock Performance by a Duo or Group with Vocal at the 45th Grammy Awards and become a fan favorite and live staple.
“The Scientist” 'Nobody said it was easy / No one ever said it would be so hard.' On the second single from A Rush of Blood to the Head, Martin touches us all on what is perhaps Coldplay’s most touching ballad. It opens with a Martin solo at the piano, pleading about the complications of love: 'Come up to meet you / Tell you I'm sorry / You don't know how lovely you are.' Love, he suggests, will always be unexplainable by reason and logic: “Science and progress,” he sings, “do not speak as loud as my heart.' Pripyacj diktant pa bel move.